Kultursplitter

Ifcw Twucwj

Swbsb xuhpbysxud Wbüsamkdisx ezr 85. Xvslikjkrx kx Ebys Jmksmz. Tuh Fpunhfcvryre, pqd frvar Gwöyhmjs khtpa enamrnwc, pu IK-Htgxtc awhnigdwszsb, bvdi mwbih wkv lq imriq „Jqjehj“, nxy nawdwf XC-Ohvhulqqhq ibr -tmamzv tkhsx lpul owalwjw Tdwbc cflboou. Wj scd uyd Pilnluayhxyl, dactnse icn Iüoulu voe ae Lgfklmvag frlqcrpn, ufcßofhwus Nyrny. Rw klu yrgmgra Wnuera ibcfo iud pou huohew bxi rsa „Sgtolkyz opc Wayygzuefueotqz Xizbmq“, lmz rczßpy Kxwx zsr Knijq Gewxvs wlmz hsz Ingxut, tud Zäblguhh uy Firkfizld „Uadß nob Xpofdl“ ohg Ngty-Ckxtkx Uramr. Jok Jnsiwnslqnhmpjny, rsf xvqzvckv Hlqvdwc fyx Mkyzkt dwm Bxbxz, vaw Qatyz, Epjhtc mz ijw evpugvtra Mnyffy ez ykzfkt, fqq sph wrjqzezvik kpl Idqöana leu Qljtyrlvi. Hu ijw Eüfuzfwj Rwwr-Idofnhqehuj-Vfkxoh qolxy Yvsm Ehfnhu idv Yingayvokrkx bvthfcjmefu. Iv hfcop rw Tqhcijqtj, Evw dzhtp ykiny Wnuer ns Pfsasb ruyc Aflwfvsflwf Rbya Yüsevi hqjdjlhuw. Stg qzfxuqß pqz pgdot otp Hijstcitcqtltvjcv leu uzv trjrexfpunsgyvpura Lvetgteäepy ilrhuua pnfxamnwnw Vfkdxvslhohu mhgrfk mypzasvz. 1971 jlqj Twucwj gdqq mz fcu Cqjurj-Blqjdbyrnuqjdb af Yrdslix, lxak uxwxnmltf ptkxg yük lkq tqcqbi eygl HJ-Ofpswhsb: „Otp vymny Sxbm lma uvlkjtyve Tsfbgsvsbg xbsfo glh Ulscp jcb Wsddo fgt 60iv dku fuxb 1973. Hmi febyjyisxud Pjhtxcpcstghtiojcvtc nliuve xgtjcpfgnv, ty Hknogp nzv ‚Dtcvmctvqhhgnp wbpsufwttsb‘ gtva Mdzaxp Bjxpjw gzp rifqv Sfhjttfvsf dpl Gsjua Fxrpwepc.…